He describes his practice as simple, playful and unpredictable.
He recently graduated from ECAL, where he developed a range of projects exploring new forms of comfort and functionality. His diploma project developed in collaboration with the TextielLab, the professional workshop of the TextielMuseum in Tilburg, Netherlands, reflects his ongoing interest in textile innovation.
Ancestral gestures carved in shadow and clay.
Firing takes place in a reducing atmosphere, a process known as soenga, which gives the ceramics their distinctive deep black tone. Remarkably, this technique also renders the pieces waterproof without the need for glaze.
Photography: Colas Ravey / Paul Berthon